women painters

Public Radio

Artebella On The Radio: November 5

Sadly, we have had to postpone Open Studio Weekend until spring 2021, but we have one more interview with some of the artists talking about their work. Robbie Mueller, Chris Hartsfield, and Dru Pilmer are our guests this week, along with LVA Executive Director Kristian Anderson. Tune in each Thursday to WXOX 97, or stream on Artxfm.com to hear Keith Waits talk with artists.

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Robbie Mueller is a mixed media artist working primarily with wood, paper mache, found objects, and acrylic paints; 3-D sculpture, bas reliefs, and assemblages. “Much of my work often gets labeled folk art, because of the more traditional themes that become my subjects , but as my work has continued to evolve, more contemporary themes involving found art, & salvaged art are being incorporated. Because I am untrained, I label myself a contemporary folk artist with "outsider" tendencies.” His work can also be seen at the Kentucky Folk Art Center (Morehead State University, Morehead, KY), Gallery 104 (Lagrange, KY), Meraki & Moon (Georgetown, KY),on Facebook (Robbie Mueller: Folk Art Kentucky), on Instagram (@folkartky), and on Twitter(@ibwhittlin).

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Chris Hartsfield is a self-trained watercolorist who works primarily with bright, clean colors to achieve a realistic style of painting. His technique produces a complicated yet detailed scene revealing an understanding of depth and realism. He enjoys painting a variety of subjects, including still life, landscape, street scenes, and nautical scenes. His compositions are well balanced and flowing, keeping the observer's eye engaged. Since Hartsfield began his art career in 1988, he has had paintings accepted in national and regional watercolor competitions. Including The American Watercolor Society, The National Watercolor Society, Arts For The Parks, Georgia, Kentucky, and Oklahoma Watercolor Society shows.

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Dru Pilmer’s art is in private, public, and corporate collections in New York state, Chicago, Massachusetts, Los Angeles, Utah, Tennessee, Kentucky, Indiana, Mississippi, Florida, North Carolina, South America, Canada, and Scotland. She was recently one of 46 artists in 13 states and Germany to win juried acceptance in ConTEXT III Exhibition at the Foundry Art Centre in St. Charles, MO.  Her painting, “9 Millimeter Flowers” won Best of Show in KORE Gallery’s 2019 Black & White Show.  

She was a featured artist in March 2019 Today’s Woman Magazine, exhibited in Mariott and Hyatt boutique hotels, and executed numerous watercolor and acrylic commissions throughout the U.S.

LVA Executive Director Kristian Anderson has 15 years’ experience in the arts and culture sector, most recently as Senior Policy Advisor to the Mayor of Salt Lake City. In that role, he oversaw a variety of community, operational and political projects encompassing arts and culture as well as land use, urban design, economic development and more. Prior to his mayoral appointment, Kristian was for four years the Executive Director of the Utah Museum of Contemporary Art and Executive Director for the Association of Academic Museums and Galleries in Seattle.

Open Studio Weekend Artists
Robbie Mueller, Chris Hartsfield, Dru Piilmer, & Kristian Anderson

Interdisciplinary

Artebella On The Radio: October 22

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Creatives of Color Collective is about to open in the Artspace on West Broadway and Alonzo Ramont, Rheonna Nicole, Morgan Younge, & Ashley Cathey join us to talk about this new, interdisciplinary space for BIPOC artists. Tune in to WXOX 97.1 FM, or stream on Artxfm.com each Thursday at 10 am to hear Keith Waits speak with artists.

Alonzo Ramont - actor, director, educator, founder of Redline Performing Arts

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Rheonna Nicole - writer, spoken word artist and founder of Lipstick Wars Poetry.

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Morgan Younge - actress, writer, director, costume designer, teacher, currently working with Looking for Lilith Theatre Company

Ashley Cathey - artist, curator, activist, founder of the Healing Walls Initiative

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Creatives of Color Collective
Alonzo Ramont, Rheonna Nicole, Morgan Younge, & Ashley Cathey

Public Radio

Artebella On The Radio: January 30, 2020

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Mural artist Liz Richter was our guest this Thursday. Liz is being recognized as the Emerging Artist at the Louisville Visual Art Honors event on February 7. We talked about murals, art education, and other things. Tune in to WXOX 97.1 FM, or stream on ArtXFM.com each Thursday at 10:00 am to hear Keith Waits talk with artists.

Liz Richter was born in Paducah, KY and raised in rural Southeast Missouri. Although primarily focused on painting and drawing, Liz also explores wearable art, printmaking and other mixed media.

In 2016, she expanded into larger public art projects, completing a 1300 sq. ft. mural in Hikes Point, Louisville. Since then, she has completed other large murals for clients such as Kroger and Google Fiber. She views large-scale works and community live-paintings as an opportunity to draw the audience into the joy of the process, and engage younger artists, to empower the next generation of creatives. She has said, "I just want to cover the whole world in so much color that you can't hear or think anything but positivity."

In 2019 she was one of the featured artists in the Imagine Mural Festival sponsored by Metro Louisville and the Fund for the Arts, and she will be recognized as the Emerging Artist at the LVA Honors luncheon on Feb 7

Louisville Visual Art Honors

Honoring Nana Lampton, Billy Hertz, Che Rhodes, & Liz Richter

February 7, 2020 - 11:30 AM – 1:00 PM
Kentucky Center for African American Heritage - 1701 W Muhammad Ali Blvd

LVA Honors Emerging Artist for 2019
Liz Richter


Painting

Vignette: Shawn Marshall

“Autumn Skies” by Shawn Marshall, Oil on Canvas, 36x36in, 2019. Selected for the Mazin Juried Exhibit

“Autumn Skies” by Shawn Marshall, Oil on Canvas, 36x36in, 2019. Selected for the Mazin Juried Exhibit

Watching Shawn Marshall’s work over the last few years, it is interesting to observe that she has moved away from abstraction and into a sort of updated impressionism. Most artists move towards the abstract, finding that it emerges from the representational, yet Marshall has allowed a looser, more spontaneous approach to her mark making to embrace a more robust and muscular reading of the landscape.

Landscape has always been important to this artist: “ (It is) an outlet to let go of preconceived ideas and rules of how I interpret and portray the world,” she states. “Using palette knives and brushes, I work to create atmospheric depth on the canvas with a focus on the horizon. Though the horizon can never be truly be reached, it is a metaphor for hope, wonder, and perseverance.”

Where Marshall once isolated the horizon as a point between two adjacent fields of color and texture meant to show earth and sky, she now articulates detail in the ground plane that force depth and distance. Where we once read the surface texture in two dimensions, we are now welcomed into a definable space of rough and treacherous terrain. And the shift does not feel a repudiation of her previous exploration of the fundamentalism of identifying the geometry of natural forms; rather Marshall seems to be led by the medium and a new vigor in her practice that has enabled a retrograde point of view.

Marshall is a member of ENID, a collective of women sculptors named in honor of Enid Yandell. In recognition of her 150th birthday the group has participated in two recent exhibits. But that was only the beginning of what is clearly a fertile time in her practice, and her work will be available for viewing in several locations in the coming weeks:

October 2019 - September 2020 - Selected Artist "Art in City Hall", City Hall, Louisville, KY

June 2019 – December 31, 2019 - Selected Artist for the AC Hotel - Louisville, KY

November 3 – December 26, 2019 -
Mazin Juried Exhibition, JGallery, JCC, Louisville, KY

 November 8-10, 2019 - A painting and photo exhibition of work by artist Shawn Marshall and Emmy Award winning filmmaker Michael Fitzer, Tim Faulkner Gallery, Louisville, KY.

November 14, 2019 – January 11, 2020 -
3rd Annual Small Works Juried Show - Art Room, Fort Worth, TX

Marshall’s work is in numerous private collections including PNC Bank, Pittsburgh, PA, Commonwealth Bank, Louisville, KY, and the University of Kentucky Medical Center, Lexington, KY. 

“Northern Sea” by Shawn Marshall, Oil on Canvas, 48x48in, 2019

“Northern Sea” by Shawn Marshall, Oil on Canvas, 48x48in, 2019


Hometown: Louisville, Kentucky
Education: 1992, Bachelor of Architecture, University of Kentucky, Lexington, KY; 1996, Master of Architecture, Minor Fine Arts, Cornell University, Ithaca, NY; 2009, Master of Art in Teaching, Bellarmine University, Louisville, KY
Website: www.shawnlmarshall.com
Instagram: shawlmarshall
Gallery Representation:
Moremen Contemporary (Louisville) www.moremengallery.com 
New Editions Gallery (Lexington),www.neweditionsgallery.com

 

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“Cool May Morning” by Shawn Marshall, Oil on Canvas, 30x48in, 2019. On exhibit at AC Hotel in NuLu, Louisville

“Cool May Morning” by Shawn Marshall, Oil on Canvas, 30x48in, 2019. On exhibit at AC Hotel in NuLu, Louisville

“Dreamers” by Shawn Marshall, Oil on Canvas, 16x40in, 2019

“Dreamers” by Shawn Marshall, Oil on Canvas, 16x40in, 2019

“Crimson Fall” by Shawn Marshall, Oil on Canvas, 12x12in, 2019

“Crimson Fall” by Shawn Marshall, Oil on Canvas, 12x12in, 2019


Written by Keith Waits. Entire contents copyright © 2019 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Painting

Open Studio Weekend Spotlight: Megan Bickel

“You’re Put in A Place Where Everyone Has The Same Delusion” by Megan Bickel, Acrylic on lycra with holographic inkjet print. 22x29in, 2019

“You’re Put in A Place Where Everyone Has The Same Delusion” by Megan Bickel, Acrylic on lycra with holographic inkjet print. 22x29in, 2019

Sometimes artists can speak quite well for themselves, with an Artist’s Statement of such depth and detail that it can be difficult to make any comment on the work in question without seeming at best redundant and at worst meaningless. Megan Bickel is a contemporary Renaissance woman, a multidisciplinary artist who writes and thinks with precision and clarity so that her very thoughtful words are arguably insightful enough to challenge the need for further observation. Of her work in her upcoming exhibit at Quappi Projects, Bickel writes on allusion and illusion:

“Being primarily literary, an allusion can be commonly articulated as an expression designed to call a subject to mind without mentioning it explicitly. It can appear as an indirect or passing reference. The author is allowed freedom in the expectation that the reader is aware of the reference made in the “allusion;" but as an object of literature, it provides safety or security for the reader in requesting the use of the readers’ imagination. Thus, the readers are limited to their own experience or consumption— they are safe to play in deception or truth, because they know the origin of the falsity provided by an allusion.

An illusion —of course—is a trick. Perhaps it appears as camouflage, or perhaps it appears in the process of convincing a viewer that they are witnessing something. It can also appear in the cultivating of a false belief, but however it appears the one in control of the creation of an illusion is the maker. An illusion can be as benign as an illusionistic still life, or as malignant as propaganda. No matter the moral positioning, the illusion is an object of convincing.” 

You can read the full statement on her website, but Bickel appropriately places a burden of interpretative responsibility on the viewer before she concludes:

“Though my approach to media differs from object to object, I would generalize that this body of work utilizes haptic curiosity as a means with which to encourage visual, ethical, or empathic critique of contemporary media images. This skill of inviting curiosity into our daily consumption of images may become an important skill as we approach a period in history where we have to understand and decode how our images may be deceiving us— and just as quickly as we learn to create those deceptions.”

All of which seems to pose the question of how much trust we can place in Bickel’s images. Her work does not accommodate passivity, and we might go further and question the worth of any art that doesn’t provoke us to think differently.

“There Was No Template for His Perceptions” by Megan Bickel, Acrylic on lycra with holographic inkjet print. 44x60in, 2019

“There Was No Template for His Perceptions” by Megan Bickel, Acrylic on lycra with holographic inkjet print. 44x60in, 2019

Bickel is the embodiment of the restlessness of contemporary artists who are proactive in creating opportunities for themselves and others. In 2016 she co-created Five-Dots, a visual arts blog that covers the Midwest Region, and in 2017 she founded houseguest Gallery in Louisville, an example of the growing trend for non-traditional exhibition spaces. She most recently showed work in PLAY THAT ONE BACK, JOHNNY, Megan Bickel and Louis A. Edwards, Erie Art Gallery. Erie, Pennsylvania.

Bickel is an MFA candidate at the University of Louisville and will be participating in the Louisville Visual Art/ Hite Art Institute Open Studio Weekend November 2 and 3. She also is included in the Open Studio Weekend Juried Exhibit opening at U of L’s Cressman Center on November 1, 6-8pm.

Her new one-person show, We Are inside the Fire, runs November 15 through December 20 at Quappi Projects, 827 West Market Street in the NuLu neighborhood.

Education: University of Louisville, Master of Fine Arts Candidate, 2021
Art Academy of Cincinnati, BFA, Painting, Magna Cum Laude, 2012.
Website: www.meganbickel.com

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“TOO FLAT APARTMENT” by Megan Bickel,. Acrylic on lycra with holographic inkjet print. 3x4ft, 2018

“TOO FLAT APARTMENT” by Megan Bickel,. Acrylic on lycra with holographic inkjet print. 3x4ft, 2018

“To My UFO Friend” by Megan Bickel, Acrylic on lycra with holographic inkjet print. 44x60in, 2019

“To My UFO Friend” by Megan Bickel, Acrylic on lycra with holographic inkjet print. 44x60in, 2019

“Aesthetic Think Tanks” by Megan Bickel, Acrylic on lycra with holographic inkjet print. 29x36in, 2019

“Aesthetic Think Tanks” by Megan Bickel, Acrylic on lycra with holographic inkjet print. 29x36in, 2019


Written by Keith Waits. Entire contents copyright © 2019 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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