Megan Bickel is a multi-disciplinary artist and writer who was a Community Educator at Art Academy of Cincinnati and who operates Houseguest, an independent artist-run project space located in Louisville. Her exhibit l is meditating on two words as they relate to one another in our current moment: illusion and allusion. Specifically, this manifests by inquiring as to how we consume visual data, the probability of factual 'truths,' and cultivating safe, imaginative spaces for the viewer to conceive of ethically superior realities.
Karen Weeks is also a multi-disciplinary artist who has worked with fiber and a lot with the letterpress print studio. Her exhibit, Love Labor: Literal Symbols and True Abstractions, is comprised of images sourced from common ephemera of the home meant to represent the everyday: notes, discarded letters, open envelopes, unfinished knitting, garments, drawings, math homework. The works in this show seek to reimage this detritus by (re)organizing it into constructed passages that bear witness to the commonalities to be found in homemaking and artmaking, aesthetics and the commonplace, economics, and whining. They are abstract representations of that which is contained within us, by way of what collects in our homes, representations of the aesthetics of and the profundities contained within the mundane.
Megan Bickel, Karen Weeks, Katherine Watts & Rachid Tagoulla
MFA Exhibition
May 7-July 9, 2021
Cressman Center for Visual Arts
100 E Main Street
Louisville, KY 40202