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Artebella On The Radio: January 30, 2020

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Mural artist Liz Richter was our guest this Thursday. Liz is being recognized as the Emerging Artist at the Louisville Visual Art Honors event on February 7. We talked about murals, art education, and other things. Tune in to WXOX 97.1 FM, or stream on ArtXFM.com each Thursday at 10:00 am to hear Keith Waits talk with artists.

Liz Richter was born in Paducah, KY and raised in rural Southeast Missouri. Although primarily focused on painting and drawing, Liz also explores wearable art, printmaking and other mixed media.

In 2016, she expanded into larger public art projects, completing a 1300 sq. ft. mural in Hikes Point, Louisville. Since then, she has completed other large murals for clients such as Kroger and Google Fiber. She views large-scale works and community live-paintings as an opportunity to draw the audience into the joy of the process, and engage younger artists, to empower the next generation of creatives. She has said, "I just want to cover the whole world in so much color that you can't hear or think anything but positivity."

In 2019 she was one of the featured artists in the Imagine Mural Festival sponsored by Metro Louisville and the Fund for the Arts, and she will be recognized as the Emerging Artist at the LVA Honors luncheon on Feb 7

Louisville Visual Art Honors

Honoring Nana Lampton, Billy Hertz, Che Rhodes, & Liz Richter

February 7, 2020 - 11:30 AM – 1:00 PM
Kentucky Center for African American Heritage - 1701 W Muhammad Ali Blvd


Photography

Vignette: Judy Rosati

"Buffalo (Custer)" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015), $125 (matted & framed) | BUY NOW

"Buffalo (Custer)" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015), $125 (matted & framed) | BUY NOW

Hand coloring black & white photographs may seem quaint or old-fashioned, yet in a time when we are inundated with digital imagery in our every waking moment, the virtues of such an approach are not difficult to understand: occasionally we need to rest our overexposed, weary eyes. Judy Rosati’s use of the technique has the effect of allowing us to view the busy world in slow motion and ponder what it must have been like before we were swallowed up by the media age.

"Old Faithful (Yellowstone National Park)" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015), $125 (matted & framed) | BUY NOW

"Old Faithful (Yellowstone National Park)" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015), $125 (matted & framed) | BUY NOW

Rosati’s approach has shifted recently to an even more informal, subjective use of color that introduces abstraction to what are determinedly representational images. In “Old Faithful” the familiar geyser in Yellowstone National Park is less tourist image than a study that blurs the distinctions of the natural world, rendering the kinetic motion as a surreal curtain being drawn across our field of vision, the subdued tones evoking nostalgia while simultaneously reducing depth and dimensionality.

Rosati shoots both film and digital, but her hand-colored photographs are printed from film negatives. “After the print is made, I use Marshall's Photo Oils and Prisma pencils, “ she explains. “My attempt to personalize my interpretation of the subject matter is evident by the spontaneous use of color, as well as the retention of some of the natural aspects of the original black, white and gray areas.  No two photographs are exactly alike, making each one unique.”

"Geese in Winter" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2016), $125 (matted & framed) | BUY NOW

"Geese in Winter" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2016), $125 (matted & framed) | BUY NOW

The artist is the owner of Judy Rosati's Fine Arts Photography LLC, a juried member of Louisville artisan's Guild--co-liaison (photographer) to web curator, Jury committee member; scholarship committee juror.  Rosati is a Juried member of Kentucky Crafted--regular juried artist in Kentucky Arts Council shows, and an Artist member of Louisville Visual Art.  She was a digital photography Instructor in Bellarmine's School of Continuing & Professional Studies for 11 years, and still gives private digital photography instruction.

Rosati’s work will be a part of the Kentucky Arts Council exhibit, Kentucky Visions at The Capitol, January-March 2017.

Hometown: Louisville, Kentucky
Age: 72
Education: Bachelor’s Degree (Art education; Health & Physical education), Western Kentucky University; Master’s Degree in Arts Education, Eastern Kentucky University
Gallery Representative: Edenside Gallery (Louisville)
Website: http://www.judyrosatiphotography.com/

"Wildflower Walk in the Parklands" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2016), $125 (matted & framed) | BUY NOW

"Wildflower Walk in the Parklands" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2016), $125 (matted & framed) | BUY NOW

"Parklands of Floyd's Fork in Winter" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015)

"Parklands of Floyd's Fork in Winter" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015)

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Gibbs Rounsavall


“Color…can transport us through time.” – Gibbs Rounsavall


Gibbs Rounsavall at work in his studio

Gibbs Rounsavall at work in his studio

Science and art may appear to inhabit opposite corners of human experience; but they have much in common. Aside from the dubious distinction of being targets in the current culture wars, each absolutely depend upon acute observation and stringent process. Perhaps nowhere is this synchronicity more apparent than in the study and application of color theory. In the work of Gibbs Rounsavall, the compositions may strike us wholly academic in their construction; a juxtaposition of color rigidly enforced by the strictest geometry, yet there is more than theory at work here.

“I compare my studio practice to that of a scientific exploration embracing the thrill of discovery.” Explains Rounsavall. “The focus of my study has primarily been on relationships between shape and color. Color has such strong associative powers that it can transport us through time eliciting memories while simultaneously suspending the perception of reality.” 

"Transitions #5" by Gibbs Rounsavall, 27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW

"Transitions #5" by Gibbs Rounsavall, 27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW

The artist uses one-shot sign paint to create the exacting geometric images, which, although reminiscent of computer-generated graphics, are painted entirely hand. The blend of symmetrical precision and the inherent imperfection of the artist’s hand is the key to their appeal – the reason we as viewers cannot turn away. The discipline and craft are compelling, but Rounsavall puts into the service of a simple ideal.

“Most importantly, I want my work to provide a positive experience for my audience and a sense of beauty that can enrich their lives by raising an awareness and appreciation for the present moment.”

"Transitions #4" by Gibbs Rounsavall, 27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW

"Transitions #4" by Gibbs Rounsavall, 27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW

In 2015 Rounsavall completed the Sunshine and Shadow mural in Louisville’s Shelby Park.

Rounsavall has three drawings on exhibit at Scout on Market in Louisville, and was accepted into the 12th Annual Mazin Art Exhibit at the Jewish Community Center’s Patio Gallery, which runs through January 3, 2017.

Hometown: Louisville, Kentucky
Education: BFA, Washington University in St. Louis, Concentration: MAT, University of Louisville, Concentration: Art Education
Website: http://www.gibbsrounsavall.com

"Transitions #6" by Gibbs Rounsavall, 17 x 21 in, enamel on paper (framed), $450 | BUY NOW

"Transitions #6" by Gibbs Rounsavall, 17 x 21 in, enamel on paper (framed), $450 | BUY NOW

"Transitions #3" by Gibbs Rounsavall, 27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW

"Transitions #3" by Gibbs Rounsavall, 27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW

Are you interested in being on Artebella? Click here to learn more.

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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