Friday Link Roundup: January 11, 2019

TONIGHT:

Pyro Gallery opens Where We Are Now featuring Jody Johnson, Rita Cameron and Virginia Speed from 5pm-9pm

Night At The Carnegie is happening tonight. Biophilia is still on exhibit there.

The Tilted Crown Theatre Company Presents Beirut at The Bard’s Town.

TUESDAY:

2019 Fischer Award for Visual Art Presentation Ceremony will be at Portland Museum this morning.

ONGOING:

Current: an exhibition of the Southern Crossings Pottery Festival at Craft(s) Gallery & Mercantile.

Industrial Wastelands Solo Exhibition from Dean Thomas at Tim Faulkner Gallery.

The Carnegie Center for Art and History presents Biophilia Life; or, My Best Friend Has Four Legs and a Tail.

Deborah Whistler: “Follow The Rabbit” is at Moreman Gallery through January 19, 2019. 

Cletus Wilcox, Joshua Bleecker Suyun Son at Tim Faulkner Gallery.

SewIn Qulit and Fiber Biennial is across the river in New Albany.

Elsa Hansen Oldham "Muses" is at KMAC through January 27, 2019.

LVA's Artebella On The Radio 3.15.18

Ramona Lindsey

Ramona Lindsey from Community Foundation of Louisville and Susanna Crum from Indiana University Southeast came to the WXOX 97.1 FM studio to talk about the 2018 Hadley Prize for Visual Art. In 2013, Susanna was the 1st recipient of the prize, and the discussion focused on what makes for a competitive application for grants such as this.

Application opens March16
at www.louisvillevisualart.org/hadley

Susanna Crum

There will be an informational session for the Hadley Prize with 

Community Foundation of Louisville & LVA
Saturday, March 17th, 2018
South Central Regional Library
7300 Jefferson Blvd, Louisville, KY
10:00-11:30 AM

Learn about the prize criteria and tips for writing competitive grants!

Fischer Prize 2018 reception

LVA partnered with the Community Foundation of Louisville in congratulating Elizabeth Hardy, the inaugural winner of the Bill Fischer Award for Visual Art! The celebration was held at the Tim Faulkner Gallery, located across the street from LVA's office in Portland.

Hardy plans to use her prize money "to provide a suitable environment with tools to establish a space to be able to create works on a larger scale than I am physically capable of doing with the restrictions of my current studio space. I could expand my practice for my own productions as well as have a proper venue to function as a learning environment that I could share the techniques I have learned with others."