Italy

Painting

Vignette: Margaret Bromley

"Where's the Belle?" by Margaret Bromley, Oil on Canvas, 19X30in (framed), 2017, $1000

"Where's the Belle?" by Margaret Bromley, Oil on Canvas, 19X30in (framed), 2017, $1000

The moment an individual begins creating is almost certainly the act of a child; picking up a crayon, or perhaps the sublime pleasure of slipping your fingers into finger paint for the first time, seeing the possibilities of line, shape, texture at its most elemental level. Pure instinct.

So many of us strive to recapture such instinctive pleasure again, after the process of becoming an “adult” has raised innumerable impediments, and it is not at all uncommon to find artists who retired from a professional career and then rediscovered that motivation to make art once again.

Margaret Bromley is just such an artist, taking her first drawing class at the local Preston Art Center in 2001, one month after retiring from the University of Louisville as its Media/Marketing Coordinator in the Development Department.

She has studied in workshops under Jerry Stitt of Sausalito, California, Nancy Nordloh Neville of Cincinnati, Ohio and went to Umbria, Italy with students under the leadership of Janice Russell Beck of Santa Rosa Beach, Florida. Locally she has studied with artists Susan Howe, Judy Warren, Sue Hinkebein, and Joyce Sweet-Bryant.

"Winning Trifecta?" by Margaret Bromley, Oil on canvas, 12X18in (gold leaf frame) 2009, $350

"Winning Trifecta?" by Margaret Bromley, Oil on canvas, 12X18in (gold leaf frame) 2009, $350

Bromley has tried her hand at many styles, techniques, and mediums, but landscapes with a natural style seem to be her strong suite. In “Where’s the Belle?” she gives us an unconventional perspective on an iconic event during one of the most festive, tourist-dominated weeks on the Louisville calendar. There is no shortage of artists painting or photographing Kentucky Derby events, horses, bourbon, and hats are common motifs - Bromley has not ignored these (“Winning Trifecta”), but there is an unexpected power in how she portrays this simple community of locals waiting to view the Belle of Louisville during the Great Steamboat Race, a signature event that takes place three days before the Most Famous Two Minutes in Sports. Far away from the concentration of fancy crowds, these ordinary Louisvillians have come down directly to the shoreline of the Ohio River to get an up close view of the old-fashioned steamboats as they move along the river. 

The unfussy approach employed by Bromley emphasizes atmosphere and a sense of place for any tendency to overwork the details. We can sense the camaraderie and easy understanding of local tradition that has brought these men together on a late spring afternoon.

Bromley has received Honorable Mentions for her work at the Kentucky State Fair on two different occasions and shows locally at Koi Gallery, Primo Oil and Vinegars’ Gallery, and has note cards at Regalo and Cartwells as well as the previous mentioned galleries.

Untitled1.png

On September 29, Bromley will be part of the Louisville Visual Art’s Juried Exhibit in the 2018 Portland Art & Heritage Fair. The exhibit will be available for viewing at the Marine Hospital from 11am-5pm. Jury prizes will be awarded at 2:00pm.

Hometown:
Education: University of Tennessee at Chattanooga
Website:

“Spello, Italy” by Margaret Bromley, Oil on canvas, 10x14in, Private Collection, Giclee available, $195

“Spello, Italy” by Margaret Bromley, Oil on canvas, 10x14in, Private Collection, Giclee available, $195

"Fisherman Bill" by Margaret Bromley, Oil on canvas, 8x10, (floating frame), $300

"Fisherman Bill" by Margaret Bromley, Oil on canvas, 8x10, (floating frame), $300

"Vermont Herb Garden " by Margaret Bromley, Oil on canvas, 8x8in, $225

"Vermont Herb Garden " by Margaret Bromley, Oil on canvas, 8x8in, $225

Painting

Vignette: Jill Baker - Open Studio Weekend Artist

The Importance of Light

"Gondolas" by Jill Baker, oil, 30x20in, 2017, NFS/Prints available $200

"Gondolas" by Jill Baker, oil, 30x20in, 2017, NFS/Prints available $200

Jill Baker chooses many subjects, and her facility with a brush is informed by a lifetime of painting, but in the images captured when she is away from home we see a her most highly developed sense of composition. She travels to New York, France and Italy to paint and exhibit her work, and has exhibited her work throughout the world: Paris (Palais des Congres), Florence (Palazzo Strozzi), Seoul, South Korea (U.S. Embassy), New York (Goethe Haus, among others) and elsewhere.

In “Gondolas,” there is a confident exploration of the space, both expansive and intimate; a tight configuration of boats only one set of repetitious forms, nestled together in shadow, while the architecture fills out the frame with other shapes stacked up in the distinctive Italian sunlight.

"My Room In Arles" by Jill Baker, oil, 8x10in, 2017, $5000/Prints available $200

"My Room In Arles" by Jill Baker, oil, 8x10in, 2017, $5000/Prints available $200

“My Room in Arles,” despite the change in location, feels like it could be the inside of one of those windows. Perhaps the light is more diffuse, but she once again captures the pattern and relationship of shapes within the room.

Betraying the restless itch of creativity that is characteristic of so many artists, Baker is also a writer who has been a journalist, a travel writer (“Elba Journal”). a novelist (“My Turn”), and a poet (“Poems of Accord and Satisfaction”).

As an artist, Baker has done numerous illustrations for publishing houses and major magazines and has worked in production for newspapers and for Institutional Investor magazine on Madison Avenue, in New York. She has illustrated several books, including eight by Lee Pennington, including his “Appalachian Newground,” published in 2016.

Jill Baker will be participating in the 2017 Open Studio Weekend, sponsored by Louisville Visual Art and University of Louisville’s Hite Art Institute. Her  studio in Middletown will be open the weekend of November 4 and 5. Tickets for Open Studio Weekend will go on sale October 16. Click here for more information.

"I am very proud of my new studio, which is a Department of Energy Net Zero building, the first one in Louisville, with 22 solar panels on the roof, radiant heated floors, all LED lights within, passive solar heating and cooling (I took inspiration from Bernheim Forest buildings), with huge windows on the north for indirect light. I designed it myself."

Hometown: Louisville, Kentucky
Age: 74
Education: BA in Fine Arts, Baylor University (Waco, Texas); studied at the Academia di Belle Arti (Florence, Italy); MFA in Painting, Pratt Institute (New York City)
Gallery Representative: Manhattan Arts (New York City); Contemporary Arts Gallery (New Harmony, Indiana)
Website: http://www.jillbaker.com

Scroll down for more images

Jill Baker's studio

Jill Baker's studio

JillBaker_Lavaski 18X24.JPG

 "Lavaski" by Jill Baker, Watercolor, 18X24in, 2017, $600

"Guitarist" by Jill Baker, oil, 20x24in, 2017, $750 

"Guitarist" by Jill Baker, oil, 20x24in, 2017, $750 

"Man Entangled" by Jill Baker, Pen & ink, 11X14in, 2017, $1000/Prints available $200

"Man Entangled" by Jill Baker, Pen & ink, 11X14in, 2017, $1000/Prints available $200


Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved

Are you interested in being on Artebella? Click here to learn more.