Mixed Media

Mixed Media

Vignette: 2021 Academy Outstanding Seniors

“God is the Greatest”, Tarina Henry,  duPont Manual

“God is the Greatest”, Tarina Henry, duPont Manual

By Keith Waits

Entire contents are copyright © 2021 Louisville Visual Art. All rights reserved.

How we measure academic development has been a somewhat controversial topic for quite some time now, but when we step into the arts the range of progress can be especially difficult to determine unless you know the student. If we follow a rubric for skills in draughtsmanship or understanding of color it can seem a dry and impersonal method to summarize what is expected to be a highly personal means of expression. These students were recognized in an awards presentation at the Opening Reception for the 2021 Academy at LVA Exhibition:

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Academy at LVA student Elaina Render, a senior at duPont Manual, has many still life studies in her portfolio that allow us to track her earnest growth, but it is in her “Poe” that we see the cumulative results. The B&W pen and ink drawing is almost perfectly composed, a cleanly executed graphic illustration that displays a sensibility following in the footsteps of the legendary Edward Gorey.

Elaina was accepted into a whole roster of top schools, and has decided to attend Georgia Institute of Technology.

“Poe”, Elaina Render, duPont Manual

“Poe”, Elaina Render, duPont Manual

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North Oldham senior Malva Wieck’s pencil study of a wrapped peppermint shows an attention to detail and accomplished comprehension of dimension. The thought of spending a few hours looking intently at a piece of candy might sound like the epitome of boredom, but that patient observation is an instructor’s dream. 

In the fall Malva will attend the “school of my dreams”: Amherst College, where she has been awarded significant financial aid and intends to double-major in Environmental Science and Art History.

“Minty Fresh”, Malva Wieck, North Oldham HS

“Minty Fresh”, Malva Wieck, North Oldham HS

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Raegan Coots spent five years in the LVA Children’s Fine Art Classes (CFAC) and four in the Academy, all while staying on the Honor Roll and being consistently recognized for outstanding achievement at Trinity High School. His “Clipper Ship” has the straightforward narrative thrust that places us in the pages of a book; the vessel moving off the edge of the page suggesting a continuing story.

Raegan has been accepted into Indiana University Southeast where he expects to major in Fine Arts with a concentration in Graphic Design.

“Clipper Ship”, Raegan Coots, Trinity HS

“Clipper Ship”, Raegan Coots, Trinity HS

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In contrast to these first three young artists, Tarina Henry has come to the Academy at LVA in just her last semester before college, but she was clearly busy at the Visual Arts Magnet at duPont Manual and being a Governor’s Scholar. Her “God is the Greatest” is a stunning expression of islamic culture that shows off a very sophisticated use of color.

Tarina has committed to the University of Kentucky’s College of Design for Architecture. She has received a Diversity Scholarship and Provost Scholarship on top of KEES, Federal Pell Grant, and other financial support.

Since 1925, LVA visual art education programs have been not only training the next generations of artists but also building an arts rich education for future leaders in all walks of life. Congratulations to all Academy at LVA seniors!

The 2021 Academy of LVA Exhibition
May 7 - 20

Monday through Thursdays 1 - 4 pm

LVA Gallery
1538 Lytle Street
Louisville, KY 40203
(502) 584-8166

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“Watermelon Haze”, Tarina Henry,  Academy at LVA and duPont Manual student

“Watermelon Haze”, Tarina Henry, Academy at LVA and duPont Manual student

“Northern Lights”, Malva Wieck, Academy at LVA and North Oldham HS student

“Northern Lights”, Malva Wieck, Academy at LVA and North Oldham HS student

“Apple a Day”, Elaina Render, Academy at LVA and duPont Manual student

“Apple a Day”, Elaina Render, Academy at LVA and duPont Manual student

“Eagle”, Raegan Coots, Academy at LVA and Trinity HS student

“Eagle”, Raegan Coots, Academy at LVA and Trinity HS student

Written by Keith Waits.
In addition to his work as Operations Director at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

Mixed Media

Vignette: Steve Heine

“Sonnet” by Steve Heine, random text, laser-cut steel, small-diameter magnets, primer, poplar, 30x30x2in, 2019, $3900

“Sonnet” by Steve Heine, random text, laser-cut steel, small-diameter magnets, primer, poplar, 30x30x2in, 2019, $3900

Interdisciplinary is a word that has dominated art conversations for the past ten years or more. Aside from the more obvious mash up of mediums and disciplines, a more subtle result is the occasional work that conjures rich associations with other forms. Steve Heine creates commissioned architectural glass for homes and corporate clients, and in “Sonnet” has shifted from purely abstract forms to the use of letters to pull our attention into the composition. We demand that it be readable, we search for words among the endlessly overlapping letterforms, and the title leads us to expect nothing less than the words of William Shakespeare.

But Heine has a trickier premise for this work: “The ‘infinite monkey theorem’ states that a monkey striking keys at random on a typewriter for an infinite amount of time will almost certainly type out the complete works of William Shakespeare. With this new piece, I’m interested in the iteration and abstraction of randomly generated text to create a visual spell of line, light and shadow.”

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Heina has work throughout the region, including the Marriott AC NuLu Hotel, Decca Restaurant, Jewish Hospital Medical Center South, Owensboro Health Regional Hospital, Sacred Heart Schools’ Ursuline Arts Center, KMAC and Faulkner Real Estate.

“I see my artwork as small-scale architecture—the process of making and an emphasis on materials are vital for me. My current work is primarily explorations via low-relief mixed media: I’m concerned with the thoughtful manipulation of surface and the modulation of light, color and shadow. I’m drawn to Minimalism and to spare yet potent built architecture [where I see it in the world]. I’m interested in creating work that is “quiet”, balanced and resolved, and distilled to its essential elements.”

“Honeycomb Clouds” by Steve Heine, laser-cut and folded steel, maple, integral LED panel, 48x48x4in each, 2018, NFS

“Honeycomb Clouds” by Steve Heine, laser-cut and folded steel, maple, integral LED panel, 48x48x4in each, 2018, NFS


“Cloud Panels” is a permanent installation at the Marriott AC NuLu Hotel on E. Market Street in Louisville, and was accomplished in collaboration with Louisville Visual Art. “Although I usually envision these panels in blues or violets, the color can be changed at any time via a small, hand-held, wireless remote control. The range of available colors is virtually unlimited. The hotel currently has ‘Honeycomb Clouds’ programmed to continually shift through a wide range of colors.”  


Recent recognition includes:

•2018: "Beetle", a small hollow-core vessel cast several years ago from recycled light bulbs, was selected for "Celebrating American Craft—Southern Style", survey of contemporary craft across the American South, at Vanderbilt University.
•2018: A permanent installation at the Marriott AC NuLu Hotel was featured in LEO Weekly.  

Hometown: Louisville, Kentucky
Education: BS, Architecture, University of Kentucky
Website: craniumglass.squarespace.com
Instagram: instagram.com/craniumglass/

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“Cloud Extrusion” by Steve Heine, laser-cut and folded steel, primer, poplar, integral LED panel, 30x30x3in, 2018, $3900

“Cloud Extrusion” by Steve Heine, laser-cut and folded steel, primer, poplar, integral LED panel, 30x30x3in, 2018, $3900

“Cloud Extrusion” (multiple images) by Steve Heine, laser-cut and folded steel, primer, poplar, integral LED panel, 30x30x3in, 2018, $3900

“Cloud Extrusion” (multiple images) by Steve Heine, laser-cut and folded steel, primer, poplar, integral LED panel, 30x30x3in, 2018, $3900


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Mixed Media

Vignette: Janis Kirstein

“Freedom Collage” by Janis Kirstein, Mixed Media, 24x36in, 2018, $1000

“Freedom Collage” by Janis Kirstein, Mixed Media, 24x36in, 2018, $1000

Janis Kirstein is a painter, photographer, and writer, but primarily a painter. She combines a mixture of media and collage, including acrylic, pastel, colored pencil, & Photoshop, Sumi-E Ink and Japanese Rice paper. In the work we see here, the energy is loose and spontaneous, at times nearly explosive, betraying the level of discipline required in both the composition and the technique.

“The Majestic Horse Race” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“The Majestic Horse Race” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“I love making collages,” states Kirstein. “Action painting has been my joy for more than 30 years and continues to this day, today, using Sumi-E ink and a Haiki brush. I add torn scraps of Japanese rice paper and combine a variety of media including paint, watercolor, graphite, ink, colored pencil - even glitter, all to capture the free flowing creative energy that surrounds me at any given moment.”

“To achieve the atmospheric abstraction seen in my work, I make use of transparent layering. My canvases and paper works range in size, the scale of my pieces ranging from my use of the Nano image to images of outer space. That means all realities are visible simultaneously, which creates a paradox or sense perceptive omnipotence within you, the perceiver; much like being able to see all dimensions of reality within one gaze.” 

Kirstein speaks of her work using cosmic nomenclature suggesting a meaningful spiritual component. Abstraction opens the mind to welcome a subjective interpretation, and it can be fascinating to imagine the range of response, yet the calculated choice made by the artist even when they are giving themselves over to the organic experience of creative expression will usually be a guide for the viewer.

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Hometown: Louisville, Kentucky
Education: Master of Fine Art, University of Massachusetts, Amherst, 1981;
Bachelor of Arts, University of Louisville, KY, 1977;
Indiana University Bloomington, 1973-75
Website: kirsteinfineart.com
Instagram: janiskirstein

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All artwork is copyright ©Janis Kirstein 2015. Unauthorised use and/or duplication of this material in whole or part without express and written permission from this blog’s owner is strictly prohibited. Links may be used, provided that full and clear credit is given to Janis Kirstein and http://www.kirsteinfineart.com, with appropriate and specific direction to the original content.

“Moment in Time” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“Moment in Time” by Janis Kirstein, Mixed Media, 20x32in, 2018, $750

“Jungle Heat” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2017, $2000

“Jungle Heat” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2017, $2000

“Frankfort Avenue” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2018, $2000

“Frankfort Avenue” by Janis Kirstein, Mixed Media on stretched canvas, 32x48in, 2018, $2000

Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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 Are you interested in being on Artebella? Click here to learn more.

Mixed Media

Open Studio Spotlight: Deb Ogburn

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The heart is a symbolic shape that has been so ubiquitous in culture for so long – how many thousands do we see in the month of February? – Yet, despite such saturation, we are never exhausted by it. Perhaps is it is simply a measure of how deeply we crave love, and never feel we have enough. Deb Ogburn unashamedly brings the form to the forefront in her work.

“The GateKeeper” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in , 2017, $75

“The GateKeeper” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in , 2017, $75

“My most recent body of work is a series inspired by my therapeutic work with veteran clients and the hearts we painted for graduates of HUD-VASH, a program striving to end the cycle of chronic homelessness. I used acrylic and mixed media on gallery profile stretched canvas, depicting various renditions of the heart symbol. In addition, I sometimes use modeling paste, wax finishes, beading and ephemera. I work intuitively, following my attractors in the moment. My process is reflective of the emotional landscape of the human spirit as we encounter life. Multiple layers of paint add complexity and depth to the pieces. This body of work is largely about resilience. These pieces have helped me release the emotional residue of the therapeutic work I do daily with my clients. It has been a part of my self-care to work through encounters with various media and techniques, and to find a resting place for each of these hearts.”

“Prior to my heart series, I explored a series of images incorporating mono prints on and with preserved autumn leaves, in an inquiry about the beauty of aging. Earlier works were acrylic paintings on paper, oil pastel and Prismacolor drawings, encaustic on wood and digital manipulations of photographs, largely in an exploration of my nightly dreamscapes.”

“An Expressive Arts Therapist / Coach by profession, I am an explorer of multi-modal processes and media, including visual arts, dance, music, poetry and drama. I’ve found that “mistakes” are often “happy accidents” and I trust that I can make something beautiful out of my learning—a crucial tenet that I impress upon my clients. My coaching informs my art and my art informs my coaching.” 

“I’m currently exploring texture as under painting, enjoying the richness of it beneath line and translucent layers of interference color defining forms found in nature. This process is relevant to my own journey as I employ transparency in my work as a coach. Our personal experience is what gives us "texture" and makes us unique.”  

“Touched” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in 2017, $65

“Touched” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in 2017, $65

Art Exhibitions / Performance

La Jolla Art Association, Juried Exhibition, (photography/digital art), La Jolla, CA

LifeStage, Art Exhibition (mixed media), Sushi Performance & Visual Art, San Diego

Brain Storms / Soul Storms, Juried Art Exhibition, Sushi Performance & Visual Art, San Diego, CA

Whose Dream is This Anyway? (Writer / Director) Performance & Visual Art Exhibit, Expressive Arts Institute, San Diego, CA

The Art of Dreaming, Solo Art Exhibition (photography, painting, mixed media), Expressive Arts Institute, San Diego, CA

Loose Threads from the Tapestry, (performance art), Sushi Performance & Visual Art, San Diego, CA

Gestation, Solo Art Exhibition (photography, painting, mixed media), Expressive Arts Institute, San Diego, CA

Association for the Study of Dreams, National Juried Exhibition (drawing, mixed media), Washington, D.C.

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Deb Ogburn is participating in the 2018 Open Studio Weekend, sponsored by Louisville Visual Art and University of Louisville’s Hite Art Institute. His studio, located in the Germantown neighborhood, will be open the weekend of November 3 and 4. Tickets for Open Studio Weekend will go on sale October 16. Click here for more information. 

 Education: BS Design, 1980, University of Cincinnati College of Design, Architecture and Art
Professional Diploma Expressive Arts Therapy, 2002, Expressive Arts Institute San Diego
MA Expressive Arts Therapy, Coaching and Consulting, 2004, European Graduate School, Saas Fee, Switzerland
Website: Arts4Evolution.com
https://www.pinterest.com/502atimeforart/dlogburn-art/

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Autumn Prelude by Deb Ogburn, Acrylic on paper, 36x24in, 2018,  $145

“Beguiled” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in, 2017, $75

“Beguiled” by Deb Ogburn, Mixed Media on gallery profile canvas, 12x12in, 2017, $75

Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.

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Are you interested in being on Artebella? Click here to learn more.

Mixed Media

Vignette: Sid Webb

“Ohio River” by Sid Webb, Print, mixed media, 12x18in, 2018, $125

“Ohio River” by Sid Webb, Print, mixed media, 12x18in, 2018, $125

Sid Webb is an artist who moves in many directions. He pioneered the use of digital design and graphics with Kentucky Educational Television, is an accomplished photographer, and knows his way around a paintbrush.

Much of his photography is fairly straightforward and observational, but this image of Porta, Portugal bridges the mediums with the precision of a photograph joined with the color and surface textures of a painting.

“Easy Chairs” by Sid Webb, Print, mixed media, 12x18in, 2018, $125

“Easy Chairs” by Sid Webb, Print, mixed media, 12x18in, 2018, $125

In the two oil paintings shown, Webb injects fresh perspective into commonplace settings along the Ohio River by emphasizing their intimacy. Instead of a grand view of the landscape, the point-of-view is from the ground, and there is a distinct sense of people in residence along the river – those two Adirondack chairs indicate privileged moments shared over a lifetime. It feels like a community separate from the defining civic boundaries of city and county. The geography, the elements, and the flow of the water shape life here.

Webb’s mark making is disciplined yet spontaneous. The brushwork communicates the action of painting: the loose yet intentional movement of the brush and the connection between what the eye observes and what the hand will render. The light is subdued, diffuse, an overcast day in the dog days of summer before the leaves begin to turn.

On September 29, Webb will be part of the Louisville Visual Art’s Juried Exhibit in the 2018 Portland Art & Heritage Fair. The exhibit will be available for viewing at the Marine Hospital from 11am-5pm. Jury prizes will be awarded at 2:00pm.

Hometown: Lexington, Kentucky
Education: Majored in journalism and political science, University of Kentucky; Atlanta School of Art (High Museum)
Websitehttp://www.sidwebb.com/

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“Porta, Portugal” by Sid Webb, Photograph, 12x18in, 2018, $125

“Porta, Portugal” by Sid Webb, Photograph, 12x18in, 2018, $125

“Bridges” by Sid Webb, Photograph, 12x18in, 2018, $125

“Bridges” by Sid Webb, Photograph, 12x18in, 2018, $125


Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved. In addition to his work at the LVA, Keith is also the Managing Editor of a website, Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville. 

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